THE_ARCHIVE of SOURCE

meditations[ciones] + GUIDES[ias] + mantras + NVC

12.LECTURES: JOSEPH CAMPBELL

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Spotify playlist of lectures by Joseph Campbell, on how mythology can help us understand ourselves, grow and become more enlightened

Joseph Campbell was one of the greatest philosophers of our time. His work in mythology was a huge influence on Hollywood. George Lucas based Star Wars on Campbell’s work.

Campbell believed that mythology has similarities around the world. He thought that the Hero figure is important in every single culture. Stories around the world revolve around a hero who has to go through trials to become a king. This is the structure that modern movies use.

Joseph Campbell studied Carl Jung, who studied magic and alchemy. Campbell’s work is all about mythology.

The Spotify playlist below contains over 48 hours of his lectures. You’ll love it if you’re a budding writer or just interested in mythology.

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The Hero’s Journey – Joseph Campbell

Posted on October 15, 2016by Christopher Chase

“The achievement of the hero is one that he is ready for, and it’s really a manifestation of his character. The way in which the landscape and the conditions of the environment match the readiness of the hero. The adventure that he’s ready for is the one that he gets.” ~Joseph Campbell, The Power of Myth (1988)


“The first stage in the hero adventure, when he starts off on adventure, is leaving the realm of light, which he controls and knows about, and moving toward the threshold. And it’s at the threshold that the monster of the abyss comes to meet him.

And then there are two or three results: one, the hero is cut to pieces and descends into the abyss in fragments, to be resurrected; or he may kill the dragon power.. But then he tastes the dragon blood, that is to say, he has to assimilate that power..

He hears the song of nature; he has transcended his humanity, you know, and reassociated himself with the powers of nature, which are the powers of our life, from which our mind removes us.

You see, this thing up here, this consciousness [points to brain], thinks it’s running the shop. It’s a secondary organ; it’s a secondary organ of a total human being, and it must not put itself in control. It must submit and serve the humanity of the body.

When it does put itself in control, you get this Vader, [Darthvader] the man who’s gone over to the intellectual [and mechanistic] side. He isn’t thinking, or living in terms of humanity, he’s living in terms of a system.

And this is the threat to our lives; we all face it, we all operate in our society in relation to a system. Now, is the system going to eat you up and relieve you of your humanity, or are you going to be able to use the system to human purposes?

I don’t think it would help you to change the system, but it would help you to live in the system as a human being. Lke Luke Skywalker, not going over, but resisting its impersonal claims.

If the person doesn’t listen to the demands of his own spiritual and heart life, and insists on a certain program, you’re going to have a schizophrenic crack-up. The person has put himself off-center; he has aligned himself with a programmatic life, and it’s not the one the body [and the heart] is interested in at all.

And the world’s full of people who have stopped listening to themselves. In my own life, I’ve had many opportunities to commit myself to a system and to go with it, and to obey its requirements. My life has been that of a maverick; I would not submit.

Our life evokes our character, and you find out more about yourself as you go on. And it’s very nice to be able to put yourself in situations that will evoke your higher nature, rather than your lower.

What you have done has been to elevate yourself out of the local field and put yourself in the field of higher power, higher danger. And are you going to be able to handle it?

If you are not eligible for this place into which you’ve put yourself, it’s going to be a demon marriage, it’s going to be a real mess. If you are eligible, it can be a glory that will give you a life that is yours, in your own way.

It’s the edge, the interface between what can be known and what is never to be discovered, because it is a mystery transcendent of all human research. The source of life: what is it? No one knows.

I think it’s important to live life with a knowledge of its mystery and of your own mystery, and it gives life a new zest, a new balance, a new harmony to do this.

I mean, in therapy, in psychological therapy, when people find out what it is that’s ticking in them, they get straightened out. And what is it that life is. I find thinking in mythological terms has helped people, visibly you can see it happen.

It erases anxieties, it puts them in accord with the inevitables of their life, and they can see the positive values of what are the negative aspects.. It’s whether you’re going to say no to the serpent or yes to the serpent, as easy as that…

The real dragon is in you. That’s your ego, holding you in. What I want, what I believe, what I can do, what I think I love, and all that. What I regard as the aim of my life and so forth.

It might be too small. It might be that which pins you down. And if it’s simply that of doing what the environment tells you to do, it certainly is pinning you down. And so the environment is your dragon, as it reflects within yourself.

How do you [slay the dragon within yourself]? My general formula for my students is, follow your bliss, I mean, find where it is, and don’t be afraid to follow it.

If the work that you’re doing is the work that you chose to do because you are enjoying it, that’s it. But if you think, “Oh, gee, I couldn’t do that,” you know, that’s your dragon blocking you in. “Oh, no, I couldn’t be a writer, oh, no, I couldn’t do what so-and-so is doing.”

And in doing that, you save the world. I mean, you do. The influence of a vital person vitalizes, there’s no doubt about it. The world is a wasteland.

People have the notion of saving the world by shifting it around and changing the rules and so forth. No, any world is a living world if it’s alive, and the thing is to bring it to life.

And the way to bring it to life is to find in your own case where your life is, and be alive yourself, it seems to me. If you have someone who can help you, that’s fine, too. But ultimately the last trick has to be done by you.

[There’s] a place in yourself of rest. Now this I know a little bit about from athletics. The athlete who is in championship form has a quiet place in himself. And it’s out of that that his action comes. If he’s all in the action field, he’s not performing properly. There’s a center out of which you act.

And Jean, my wife, a dancer, tells me that in dance this is true, too, there’s the center that has to be known and held. There it’s quite physically recognized by the person. But unless this center has been found, you’re torn apart, tension comes.

Now, the Buddha’s word is nirvana; nirvana is a psychological slate of mind. It’s not a place, like heaven, it’s not something that’s not here; it is here, in the middle of the turmoil, what’s called samsara, the whirlpool of life conditions.

That nirvana is what, is the condition that comes when you are not compelled by desire or by fear, or by social commitments, when you hold your center and act out of there.

The way… how should I get rid of fear? The Buddha can’t tell me how I’m going to do it. There are exercises that different teachers will give you, but they may not work for you. And all a teacher can do is give you a clue of the direction. He’s like a lighthouse that says there are rocks over here, and steer clear.

[Nature is consciousness.] There is a plant consciousness, there is an animal consciousness. We share all of these things. You eat certain foods, and the bile knows whether there’s something there for it to go to work on.

The whole thing is consciousness. I begin to feel more and more that the whole world is conscious; certainly the vegetable world is conscious, and when you live in the woods, as I did as a kid, you can see all these different consciousnesses relating to themselves. The whole planet [Mother Earth] as an organism.

If [we] think of ourselves as coming out of the earth, rather than as being thrown in here from somewhere else, you know, thrown out of the earth, we are the earth, we are the consciousness of the earth. These are the eyes of the earth, and this is the voice of the earth. What else?

All of life is a meditation, most of it unintentional. A lot of people spend most of it in meditating on where their money’s coming from and where it’s going to go, but that’s a level of meditation. Or, if you have a family to bring up, you’re concerned for the family.

These are all perfectly, very important concerns, but they have to do with physical conditions, mostly, and spiritual conditions of the children, of course.

But how are you going to communicate spiritual consciousness to the children if you don’t have it yourself? So how do you get that? Then you think about the myths. What the myths are for is to bring us into a level of consciousness that is spiritual.

Myths and dreams come from the same place; they come from realizations of some kind that have then to find expression in symbolic form.

And the myth, the only myth that’s going to be worth thinking about in the immediate future is one that’s talking about the planet not this city, not these people, but the planet and everybody on it.

That’s my main thought for what the future myth is going to be. And what it will have to deal with will be exactly what all myths have dealt with: the maturation of the individual, [the way] to follow, from dependency through adulthood to maturity, and then to the exit and how to do it.

And then how to relate to this society, and how to relate this society to the world of nature and the cosmos. That’s what the myths have all talked about; that’s what this one’s got to talk about. But the society that it’s going to talk about is the society of the planet, and until that gets going, you don’t have anything.

[Looking at the Earth] you don’t see any divisions there of nations or states or anything of the kind. This might be the symbol, really, for the new mythology to come. That is the country that we are going to be celebrating, and those are the people that we are one with..”

The above text excerpts are from Joseph Campbell and the Power of Myth, Episode 1: The Hero’s Adventure, the first episode from Bill Moyer’s interview with Joseph Campbell. Released in 1988, The Power of Myth was one of the most popular TV series in the history of public television. Segments of this interview can be heard here:


BILL MOYERS: Do you ever have the sense of… being helped by hidden hands?

JOSEPH CAMPBELL: All the time. It is miraculous. I even have a superstition that has grown on me as a result of invisible hands coming all the time – namely, that if you do follow your bliss you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. When you can see that, you begin to meet people who are in your field of bliss, and they open doors to you. I say, follow your bliss and don’t be afraid, and doors will open where you didn’t know they were going to be.

* * *

Joseph Campbell was a life-long student and teacher of the human spirit and mythology–not just the mythology of cultures long dead, but of living myth, as it made itself known in the work of modern artists and philosophers–individuals who searched within themselves and their societies to identify the need about which they were passionate. He called this burning need that they sought to fulfill their bliss.

When Campbell died, just months after recording the interviews with Bill Moyers that were to become The Power of Myth, he had no idea how these interviews, and, in particular, this idea of following one’s bliss would resonate with the public. Within months of airing on PBS in the United States, the phrase “Follow Your Bliss” had become a catchphrase.

In 1990, the Joseph Campbell Foundation was created by Campbell’s colleagues and his widow, choreographer Jean Erdman. Its mission was (and is) to keep Campbell’s work moving forward, helping people learn about myth, and its relationship to religion, art and psychology, and trying to help them follow their bliss.

Yet it is important to note that following one’s bliss, as Campbell saw it, isn’t merely a matter of doing whatever you like, and certainly not doing simply as you are told. It is a matter of identifying that pursuit which you are truly passionate about and attempting to give yourself absolutely to it. In so doing, you will find your fullest potential and serve your community to the greatest possible extent.

JOSEPH CAMPBELL: If you follow your bliss, you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. Wherever you are — if you are following your bliss, you are enjoying that refreshment, that life within you, all the time.

* * *

Now, I came to this idea of bliss because in Sanskrit, which is the great spiritual language of the world, there are three terms that represent the brink, the jumping-off place to the ocean of transcendence: sat-chit-ananda. The word “Sat” means being. “Chit” means consciousness. “Ananda” means bliss or rapture. I thought, “I don’t know whether my consciousness is proper consciousness or not; I don’t know whether what I know of my being is my proper being or not; but I do know where my rapture is. So let me hang on to rapture, and that will bring me both my consciousness and my being.” I think it worked.

— Joseph Campbell, The Power of Myth, pp. 113, 120